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"... the poet stands at a formal distance from the world and speaks intimately of and to it."
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ExcerptsFrom title poem
From introduction, "Mai Mang: Writing as Recognition," by Russell C. LeongIn a poem entitled "Truth," written on 1 January 1998, in Beijing, Mai Mang has this to say about seeing and writing: Yet not a bystander, but with eyes focused straightHidden almost within the pages of the Stone Turtle collection, this small, straightforward poem captures Mai Mang's truthfulness: to the heart, to the eye, to the pen. In "squeezing out mud" one can detect his pale writer's hands and crimson heart almost squeezing earth, water, and blood through the aorta of consciousness. After the mud is squeezed out, Mai Mang jumps to "striking sparks." Both gestures recognize elements that mark his work as whole -- the dynamic interlinking of lyric and history. From afterword, "Self-Portrait of a Blindist Poet," by Mai MangThis casual poetic self-sketch reveals as much as it leaves in the blank or dark. Although it is drawn in singular first person form, as lyric poetry often is, it is not intended as self-indulgence. It is about identity, exile, recognition, and so forth, but all in much more broadly defined human terms, and there is a common and anonymous quality in it against the currents of history of the twentieth century (even if I myself only lived through the last third of it). |
Mai Mang (Yibing Huang) was born in Changde, Hunan, China, in 1967. He was among a new generation of young poets based in Beijing. He currently teaches Chinese Language and Literature at Connecticut College. More
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